Imig Music Building, N147
Jeremy L. Smith, Professor of Musicology, is a specialist on the English Renaissance with a secondary interest in Progressive Rock. He has published articles in听Journal of American Musicological Society,听Music & Letters,听Computing in Musicology,听Notes,听Fontes Artis Musicae,听New Dictionary of National Biography,听MGG听补苍诲听New Grove听and has presented scholarly papers at annual meetings of the American Musicological Society and the Medieval and Renaissance Music Society, among others. His most recent essays include a chapter in听鈥楴oyses, sounds and sweet aires鈥�: Music in Early Modern England听(catalogue for exhibition at the Folger Shakespeare Library, 2006) and听Popular Music听(a work coauthored with Jay Keister, forthcoming). His monograph听Thomas East and Music Publishing in Renaissance England听was published in 2003 by Oxford University Press and his edition of William Byrd鈥檚 鈥淧salmes, Sonets and Songs,鈥� Vol. 12 of the听Byrd Edition, general editor Philip Brett, was published in 2004 by Stainer & Bell. Research for the latter volume was supported in part by a NEH Collaborative Research Grant. In 2001 and 2007 Smith was awarded the Richard Hill (MLA) prize for the year鈥檚 best article of a music-bibliographical nature. In 2006 he was awarded a Provost鈥檚 Award for his article in听JAMS. Smith is a founding member of the editorial board of Music & Politics, for which he published an article in the inaugural edition. His latest book is Verse and Voice in Byrd鈥檚 Song Collections of 1588 and 1589 (Boydell, 2016).