听Office 6 (Folsom Field Suite 255, Gate 7)
Professor Teri Rueb鈥檚 practice unfolds in the extended fields of sound, mobile media art and land-based critical spatial practices.听She has created GPS-based interactive sound installations since 1996 and has received awards including a Prix Ars Electronica Award and nominations for the CalArts Alpert Award, the Rockefeller New Media Award and the Boston ICA Foster Prize.听 Her work has been supported by the Ucross Foundation, the Arnold Arboretum / Harvard University, the Isabella Stewart Gardner Museum, the Santa Fe Art Institute, La Panac茅e, Edith R眉ss Site for New Media, The Banff Center for the Arts, the Boston Institute of Contemporary Art, Artslink, Turbulence.org, and various State Arts Councils. She lectures and presents widely at venues including Ars Electronica, ISEA, SIGGRAPH, Transmediale and IRCAM.
Her writings have been published by MIT Press, Routledge, and University of Minnesota.听 Writings about her work have appeared widely and most notably in anthologies and survey texts听such as 鈥淒igital Art鈥� (Thames and Hudson, World of Art Series), 鈥淲alking and Mapping鈥� (MIT Press), 鈥淚nformation Arts鈥� (MIT Press), 鈥淯biquitous Computing: Complexity and Culture鈥� (Routledge) and 鈥淢obile Audience鈥� (Springer).
She has played key roles in developing new programs, curricula and doctoral degrees at the Rhode Island School of Design and the University at Buffalo, among others.听 She has also worked as a designer and art director for various publishers including Newsweek, Time, and Conde Nast and has served in a curatorial capacity for museums and public art programs in the San Francisco Bay area.
She holds a doctorate from Harvard University, a master鈥檚 degree from New York University, Tisch School of the Arts, Interactive Telecommunications Program and a bachelor鈥檚 degree in Art and Literary and Cultural Studies (honors) from Carnegie Mellon University.