Aaron Treher, lecturer in the Department of Art and Art History, developed a novel approach to conservation that’s part site-specific artwork and part structure to entice the birds into making it their home.

Pushing Boundaries: Grad students think like barn swallows to craft an artistic nesting site

Sept. 5, 2018

Molly McDermott, a PhD student, and Aaron Treher, an MFA graduate, collaborated on the wooden sculpture that has been installed at a barn swallow colony on private land north of Boulder.

Gregg Deal artwork

Indigenous Mural Project is unveiled, executed by Pyramid Lake Paiute artist Gregg Deal

Aug. 6, 2018

A newly created mural by Gregg Deal, a contemporary artist-activist and member of the Pyramid Lake Paiute Tribe, will be unveiled during a ceremony from 2:30 to 6:30 p.m., June 15, in the Visual Arts Complex courtyard. The event will feature live music, spoken word poetry and a discussion with Deal. The free event, sponsored by the CU Upward Bound program, the Office for Outreach and Engagement, the Office of Diversity, Equity, and Community Engagement, and the Laboratory for Race and Popular Culture, is open to the entire university community.

George Rivera

CU Boulder Professor Is Taking Art For Human Rights Straight To The Korean Border

June 19, 2018

George Rivera is facing the age old traveler’s dilemma. He’s about to board a flight and his suitcase needs to fit in the overhead compartment — with 117 pieces of art gently stuffed in there. The University of Colorado Boulder art professor is taking this art the carry-on route for an art show at the DMZ Museum in South Korea, just miles from the North Korean border. Rivera has traveled the world, organizing hundreds of art exhibitions in regions experiencing conflict or human rights issues, through Artnauts, an artist collective he founded in 1996.

artwork by Sandy Lane, "Between You and Me", 2018.

The Artnauts are erasing borders through art near Korea's demilitarized zone

June 14, 2018

Professor George Rivera is a strong believer in the power of art as a medium to connect people around the world.

Anthropologist looking at painting

Anthropologist launches high-tech study of color in ancient art

May 18, 2018

The graduate and undergraduate students are working with Gerardo Gutiérrez, an anthropology professor who specializes in archaeology, and the Colors of History Project at CU Boulder. Together, they are bringing advanced atomic spectrometry methods to the CU Art Museum, where students in archaeology and art and art history are learning to use the equipment and process the data.

Man digging in a farm field

Beyond Boulder: The Field School Experience

Dec. 6, 2017

While living and working together in rural environments, students create artwork specific to the landscape using a variety of mediums, from sculpture and printmaking to photography and ephemeral assemblages. The field school is designed to expand students’ definition of what a studio practice can be while exposing them to new vistas.

Melanie Yazzie in her studio

Faculty in Focus: Melanie Yazzie

Nov. 1, 2017

Printmaker finds inspiration in students and global connections.

feature-length experimental documentary “Off Country" still image

Filmmaker alums tackle nuclear weapons buildup

Oct. 19, 2017

The nuclear weapons buildup and the protests against it were for many simply the news of the day, but for two filmmakers from the University of Colorado Boulder it may turn out to be a provocative theme for a historical documentary and multimedia oral-history archive.

Lynn Wolfe

AAH Department celebrates the life, work and hundredth birthday of one of its formative faculty members

July 7, 2017

Lynn R. Wolfe was born just after the start of World War I, served in the Army during World War II, retired when Ronald Reagan was in the first year of his presidency and now spends his days creating new art. Wolfe, professor emeritus of art and art history, served...

Marina Kassianidou

CU professor Marina Kassianidou finds new ways to put her mark on the world

April 20, 2017

To those who aren’t art professors, students, historians or fine artist themselves, much of the joy derived from viewing what’s commonly called abstract art (though the artists might just call it “art”) is derived from seeing something for the first time, an image or format entirely new to the viewer and their experience.

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