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Instructor: Prof. Laura Winkiel Modernism was born in the little magazines. Though modernism may not have invented this form, it certainly perfected it. Cheap to publish, collective, multi-generic, multi-medial and interspersed with ads, editorials

Instructor: Prof. Karen Jacobs Concerned with developments in the study of literature that have significantly influenced our conception of the theoretical bases for study and expanded our understanding of appropriate subject matter. Repeatable:

Instructor: Prof. Marty Bickman The course focus on the prevalence to two mythic patterns and how they persist and are transformed in the literature of the 19th and 20th centuries, the more masculine journey of the hero and the more feminine

Instructor: Prof. Thora Brylowe This course examines the construction of the modern author, exploring the relationship between literary books and the people who make them, write them, and read them. We begin at the end, with the death of the author

Instructor: Elisabeth Sheffield “There is no science without fancy and no art without fact.” (Vladimir Nabokov) In this course, we will examine the emerging form of the science novel—that is, the serious literary novel that takes as its subject

Instructor: Prof. Janice Ho This course focuses on one of the most central literary movements of the twentieth century: the emergence of modernism in Britain and Ireland, especially of “high modernism” during the period of 1910 to 1930. Novels

Surveys major literary trends from 1900-1945 in the Anglo-American tradition, including the characteristics of literary modernism. Covers both prose and poetry, as well as the relationship between literature and history to the close of World War II

Surveys the major literary trends in prose and poetry from 1900 to the present in the Anglo-American tradition of modern, postmodern, and contemporary literature. Provides students with a grounding in the major authors and motifs of 20th- and 21st-

Instructor: Prof. Maria Windell In Colson Whitehead’s Underground Railroad, the system established to help slaves escape literally runs steam engines through subterranean tunnels—a fantastic riff on nineteenth-century reality. The months the

Examines a series of literary texts to consider how writers across the world have used fiction to creatively stage and reimagine gender and sexuality. Attends to the formal and narrative techniques by which these texts call attention to the