KEEP CALM AND ENJOY BRITISH LITERATURE

Marc Bousquet, an English Professor at Emory University, lit a powder keg with his 2014 Chronicle of Higher Education jeremiad, 鈥淭he Moral Panic in Literary Studies.鈥 Bousquet warned: 鈥淐ombined with evidence of lowered public interest in reading traditional literature and plummeting enrollment in traditional English majors, many faculty members in traditional literary studies have engaged in a backlash discourse against the new or renascent fields, a 鈥榤oral panic鈥 in defense of traditional literary studies.鈥 Traditional coverage, he found, was threatened by such arrivistes as digital humanities, cultural studies, and media studies. 鈥淕et off my lawn鈥 types lamented that the only British literature sought out by 鈥渢he youth鈥 is Harry Potter. In the midst of this perceived crisis, how can that old standby, the British literature survey course, be adapted to meet the needs of twenty-first century American students who need to find a job someday? Perhaps neutral at first glance, the term 鈥渟urvey鈥 is fraught with pernicious connotations. Inthe view of some scholars, survey courses lack the lapidary focus of a theme course. Others defend the survey course as inclusive. Still others find the 鈥渟urvey鈥 signifies inordinate loyalty to the canon and traditional pedagogical models. Further afield, a 鈥渟urvey鈥 brings to mind the technologies used by eighteenth-century government officials and colonists taking the measure of the fields over which they were planning to declare authority, fields from which they would debar others鈥 access. Paradoxically, then, the term is redolent both of openness and exclusion. What if some of misgivings cited above could be viewed not as 鈥渂ugs,鈥 but instead as 鈥渇eatures鈥濃攕igns of the vitality of literary studies in the twenty-first century? Focusing on the history of British literature from 1660 through the twenty-first century, this course encompasses both close reading of primary sources and thematic explorations. 麻豆淫院 in this class will gain several benefits. You will: hone the type of analytical skills and breadth of knowledge needed for law school and graduate school; build a collection of tools that will be of use for interpretation in later courses in the major; acquire a diachronic understanding of the development of literature across time; and develop your own perspective on how debates in literature of the past shape not only art, but also the biggest conflicts and problems in our world today.

Reading List:听Immanuel Kant, "What Is Enlightenment?"; John Milton, Paradise Lost; Jonathan Swift, "A Beautiful Young Nymph Going to Bed"; Eliza Haywood, Fantomina; George Eliot, The Lifted Veil; T.S. Eliot, The Waste Land; John Osbourne, Look Back in Anger; Ng农g末 wa Thiong鈥檕, Decolonising the Mind; Lucy Prebble, The Sugar Syndrome; and more!

Taught by Dr. Nicole Wright.

Additional Information:听Arts Sci Gen Ed: Distribution-Arts Humanities
Departmental Category: British Literature after 1660