CU-Boulder heads off Shakespeare fear...with fun
Colorado Shakespeare Festival summer camps continue to thrive
Ah, Shakespeare. Whether one loves, despises or fears the work of the immortal bard of Stratford-upon-Avon often depends upon the manner of first exposure.
Does your stomach experience toil and trouble at the memory of a pinched and scolding high-school English teacher peddling Bardic cod-liver oil? Does the idea of seeing a Shakespeare play threaten to put you to sleep, perchance to dream â or rather, to give thee life?
âShakespeare has so much to offer, and I think so many people find it scary and inaccessible because teachers get caught up in teaching everything it has to offer,â says Hadley Kamminga-Peck, who earned her PhD in theater from the University of Colorado Boulder in 2015.
They love the jokes. They think itâs the funniest thing when characters get themselves into stupid situations. âNo!â they say. âHeâs being dumb!ââ
But for a crash course in just how accessible, appealing and fun Shakespeare can be, there are few better places than the Colorado Shakespeare Festivalâs smashingly successful summer programs for children, Camp Shakespeare for 10- to 18-year-olds and Shakespeareâs Sprites, for ages 6-9.
âThey love the silly characters. They love Malvolio with his stockings (from âTwelfth Nightâ) and Bottom with his donkey head (âA Midsummer Nightâs Dreamâ),â Kamminga-Peck says of the Sprites sheâs worked with since the program for younger children began six years ago. âThey love the jokes. They think itâs the funniest thing when characters get themselves into stupid situations. âNo!â they say. âHeâs being dumb!ââ
CSF has offered education programs for kids for nearly two decades, but its summer camps have really taken off in the past five years under the tutelage of Director of Outreach Amanda Giguere and Producing Artistic Director Timothy Orr. More than 100 spots â 24 for Sprites and 80 for two sessions of Camp Shakespeare â fill up in early spring each year.
The emphasis is decidedly on fun and performance. Several years ago, Giguere organized the camps around performances of plays being staged by the company each season. In 2012, they began holding performances on the same Mary Rippon Outdoor Theatre stage used by the professionals each night. Teachers are hired from each summerâs CSF company.
âWe used to stage the final performances on the lawn, but realized what a great experience it is for the kids to fill that space vocally and feel what it is like to perform for a large audience,â Giguere says. âItâs pretty cool for the students to be performing on the stage where their teachers are often performing in the evening.â
Âé¶čÒùÔș also take lessons in stage combat and fisticuffs from the same fight coaches who work with the professional company.
Spritesâ sessions are morning-only, focusing on âsilly games, silly activities, arts and crafts. Itâs really a fun way into Shakespeare that they wonât get in school,â Kamminga-Peck says.
Many Sprites move on to Camp Shakespeare, and though itâs not a focus, both CSF and the CU-Boulder Department of Theatre and Dance have turned to camp participants when seeking child-actors for productions. In recent years, students have performed in productions of âThese Shining Lives,â âFiddler on the Roofâ and other plays at CU.
In 2016, camp participants will take an even deeper plunge into Shakespeareâs works to take advantage of a remarkable opportunity: From Aug. 8-31, âMr. William Shakespeares (sic) Comedies, Histories, & Tragedies,â aka the First Folio, published in 1623 will be displayed at the CU Art Museum. The folio was the first complete collected edition of Shakespeareâs plays, published seven years after his death.
âIn anticipation of the visit of the First Folio, our teenage classes will be working from scripts taken from the folio versionsâ of the plays, Giguere says.
Interns will cut the plays to 45-minute versions and make changes for readability, but will use folio spelling and punctuation â âThey are not editing, just changing things like those funny sâs that look like fâs,â Giguere says. âIt will be fun to see how or if it impacts the performances at all.â
Through it all, you might say learning happens almost by osmosis.
âI think the huge power of early exposure to Shakespeare means a child is not going to have a lifelong fear of the Bard. You encounter so many adults these days who have that fear, because of this idea we have to be overly reverent, that the text is somehow precious or sacred,â Giguere says. âOne of the greatest things in my job is seeing the kids wrestle with the text and bring to life playable, breathable stories. Plus, itâs fun. You havenât seen âHamletâ until youâve seen a 10-year-old do âHamlet.ââ
Colorado Shakespeare Festival summer camps for children
Camp Shakespeare (ages 10-18):
Session One: May 31-June 27, 9 a.m. to noon, Monday through Friday. Groups of 16 will perform âMacbethâ and âTwo Gentlemen of Verona.â
Session Two: July 18-Aug. 5, 1 to 5 p.m., Monday through Friday. Groups of 16 will perform âCymbeline,â âThe Comedy of Errorsâ and âTroilus and Cressida.â
Shakespeareâs Sprites (ages 6-9):
Session One: July 11-15, 9 a.m. to noon, Monday through Friday.
Session Two: July 18-22, 9 a.m. to noon, Monday through Friday.
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